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Santa Toscana, Verona
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Mathia
November 13, 2019
Architectural work unfinished, in the cell where the saint once lived along the left aisle, there is now a considerable Lamentation wooden life-size, style and fifteenth-century author uncertain, with a strong expressionist gestures and faces of the characters that surround the Christ died. XVI century frescoes adorn addition, the ribbed vault of the chapel next door. Opposite, on the right side, it opens as to form a transept, the chapel of St. Tuscany, with frescoed vault flowered with four rounds within which you can see St. Bernard, St. John the Baptist, Blessed Henry from Bolzano and holy Tuscany. Of this, at one time you could read the date and signature: "Domenicus Tol. Doctum cecidisse cacomen, 1853." The date of the fresco in 1853 must refer probably to some restoration or reconstruction, as it is known only from Tolmezzo Domenico, who lived between 1448 and 1507. Local historians agree it is precisely these supposedly the author of the frescoes of the chapel. The stylistic affinities opera in Verona with the other notes of the great painter carnico are, in fact, remarkable. work in the chapel was completed around 1489, when Domenico was about forty-two, as confirmed indirectly by Soncino in Foil Horns in 1487, where he writes, "are human bones in the tomb in the chapel of the left hand of the glorious nomata Tuscany." For these reasons, the work may belong to the fifteenth-century painter who was certainly in touch with the artistic circles of Verona.
Architectural work unfinished, in the cell where the saint once lived along the left aisle, there is now a considerable Lamentation wooden life-size, style and fifteenth-century author uncertain, with a strong expressionist gestures and faces of the characters that surround the Christ died. XVI cent…
위치
27 Piazza XVI Ottobre
Verona, Veneto