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Top recommendations from locals

Science Museum
“It is a Science Museum. Located on land jutting out into the Harbour next to the Port Area.”
  • 현지인 419명이 추천하는 곳
Cultural Center
“It is ons of the biggest art centers in the world. It holds art exhibitions, theaters, historial exhibitions, music and other activities. The building located at the heart of the most conserved "old Rio" quarter is also astonishing.”
  • 현지인 270명이 추천하는 곳
미술관
“Beautiful architecture and you can walk around and sightseeing by the park with a view of Guanabara’s bay and Sugar Loaf. ”
  • 현지인 252명이 추천하는 곳
미술관
“www.museudeartedorio.org.br - inaugurated in 2013, top floor dedicated to original prints of old Rio)”
  • 현지인 185명이 추천하는 곳
Museum
“It is an Urban mansion, once Brazil's presidential palace. which now houses the Museu da Republica and Theater. The property is a prime example of neoclassical architecture in the Country. It has a beautiful landscape as well. You can visit the museum or only walk thru the gardens. Subway station : Catete leave you across it. ”
  • 현지인 186명이 추천하는 곳
미술관
“O Museu foi projetado por Oscar Niemeyer. De Niterói há uma bela vista da cidade do Rio de Janeiro The Museum was designed by Oscar Niemeyer. From Niterói there is a beautiful view of the city of Rio de Janeiro”
  • 현지인 163명이 추천하는 곳
유적지
“A nive belvedere intalled on the ruins of an old magnificent mansion.. with a 360 degrees wonderful view.”
  • 현지인 153명이 추천하는 곳
미술관
“Historic architecture next Municipall theatre. There are famous paints. Take subway until Cinelândia station .”
  • 현지인 79명이 추천하는 곳
Cultural Center
“Great place to visit when you like photography, as it is this Museum's focus. Set in an elegant house, with an amazing garden and green scenery.”
  • 현지인 103명이 추천하는 곳
History Museum
“The National Historical Museum of Brazil, was created in 1922, and possesses over 287,000 items, including the largest collection of Latin America.”
  • 현지인 60명이 추천하는 곳
Cultural Center
“Charmosíssimo espaço cultural em frente à praia de Ipanema, com bar, teatros, cinemas, galerias de arte. Programa ideal para fins de tarde e noites! Very charming cultural space in front of Ipanema beach, with bar, theaters, cinemas, art galleries. Ideal program for late afternoon and evening!”
  • 현지인 78명이 추천하는 곳
Library
“What surely must be one of the most beautiful libraries in the world. Small but well worth a visit.”
  • 현지인 49명이 추천하는 곳
Library
“Established in 1810, this lovely neoclassical buiding houses not one, but two Gutenberg bibles. Guided tours in English in the afternoon. ”
  • 현지인 46명이 추천하는 곳
미술관
“The museum has a very peaceful garden to relax and enjoy the view. The garden is connected to another touristic spot, parque das ruínas.”
  • 현지인 53명이 추천하는 곳
Museum
“Burle Marx was the most important Brazilian landscape artist. Here you can revel in his dream. It's by appt only, guides will take you around. It's far from city center, so you should rent a car.”
  • 현지인 29명이 추천하는 곳
유적지
“Ruy Barbosa de Oliveira (November 5, 1849 – March 1, 1923) was a Brazilian polymath, diplomat, writer, jurist, and politician. Born in Salvador da Bahia, he was a federal representative, senator, Minister of Finance and diplomat. For his distinguished participation in the 2nd Hague Conference, he earned the nickname "Eagle of the Hague". He ran unsuccessfully for the Presidency of Brazil in 1910, 1914 and in 1919. Ruy Barbosa gave his first public speech for the abolition of slavery when he was 19. For the rest of his life he remained an uncompromising defender of civil liberties. Slavery in Brazil was finally abolished by the Lei Áurea ("Golden Law") in 1888. Part of Barbosa's legacy to history is that he authorised, as minister of finance on December 14, 1890, the destruction of most government records relating to slavery.[1] The avowed reason for this destruction, which took several years to be enacted and was followed by his successors, was to erase the "stain" of slavery on Brazilian history.[2] However, historians today agree that Barbosa aimed to impede any possible indemnization of the former slave-owners for this liberation.[2] Indeed, eleven days after the abolition of slavery, a law project was deposed at the Chamber, proposing some indemnization to the slave owners.[2] Barbosa's liberal ideas were influential in drafting of the first republican constitution. He was a supporter of fiat money, as opposed to a gold standard, in Brazil. During his term as finance secretary, he implemented far-reaching reforms of Brazil's financial regime, instituting a vigorously expansionist monetary policy. The result was chaos and instability: the so-called fiat experiment resulted in the bubble of encilhamento, a dismal politic-economic failure. Due to his controversial role during it, in the following administration of Floriano Peixoto, he was forced into exile until Floriano's term ended. Years later, after his return he was elected as a Senator. He headed the Brazilian delegation to the 2nd Hague Conference and was brilliant in its deliberations. As candidate of the Civilian Party in the presidential election of 1910, Barbosa waged one of the most memorable campaigns in Brazilian politics. He was not successful and lost to Marshal Hermes da Fonseca. He ran again in the elections of 1914 and 1919, both times losing to the government candidate. During World War I, he played a key role among those who advocated the Allied cause, arguing that Brazil should be more involved in the war. Barbosa died in Petrópolis, near Rio de Janeiro in 1923.[3] Museu-casa (ou casa-museu) é um tipo de museu que, abrigado num imóvel que serviu como casa de alguém, busca preservar a forma original, os objetos e o ambiente em que viveu aquela pessoa ou grupo de pessoas. Assim, conjuga a arquitetura, a museografia e a coleção para criar um cenário histórico, oferecendo uma perspectiva de um estilo de vida. Em 1997, durante a conferência "Living History. Historic House Museums", no Palazzo Spinola, em Gênova, representantes de museus-casas de diversos países iniciaram um movimento para criar, no âmbito do International Council of Museums,um comitê especialmente dedicado a esta categoria de instituição. No ano seguinte, o ICOM criou o Demhist (Comitê Internacional para Museus-Casas Históricas). (Wikipedia)”
  • 현지인 28명이 추천하는 곳